This generates a session code, which can be sent to the other participants to join the session from within their Connect extension panels. Whoever starts a session is the "broadcaster" and others that join this session are "followers." The session leader (who has the local media) drags the Project icon to the Connect panel and "publishes" it.
To start a session, each participant launches the Color Finale Connect extension within Final Cut. For example, interact with your director via Skype or Zoom on an iPad while you separately control Final Cut on your iMac. In order to operate smoothly and keep the infrastructure lightweight, person-to-person communication is handled outside of Connect. You can work in a Connect session with or without local media on every participant's system.
Color finale pro fcpx install#
Download and install Color Finale Connect, which shows up as a Final Cut workflow extension. This review is in the context of long distance sessions, but Connect can also be used within a single facility where the participants might be in other parts of the building or in different buildings.Ĭolor Finale Connect requires each user in a session to be on macOS Catalina, running licensed copies of Final Cut Pro X (not trial) and Color Finale 2.2.8 Pro (or higher). Connect enables two or more Final Cut Pro X users to collaborate in near-real-time in a color grading session, regardless of their location.
Color finale pro fcpx free#
The result is Color Finale Connect, which is a Final Cut Pro X workflow extension currently in free public beta. Many editors are working from home these days, so the team decided to leverage the frameworks for macOS and FCPX to enable remote grading in a far simpler method than with other grading solutions. The Color Finale team has been on a quest to bring advanced grading tools to the Final Cut Pro X ecosystem with last December's release of Color Finale 2. High-end remote grading comes to Final Cut Pro X But the investment in workflow development, hardware, and grading environments to make this happen is not inconsequential. This allows a director in Los Angeles and a colorist in London to conduct remote, real-time, interactive grading sessions.
That's often a very interactive process that happens on premises between a colorist and a client, director, or cinematographer.Įstablished high-end post facilities, like Compan圓 with locations in the US, Canada, and England, have pioneered remote color grading sessions using advanced systems like Resolve and Baselight. While editing collaboration at a distance can be a challenge, it's a far simpler prospect than remote color grading. Remote workflows didn't start with COVID, but that certainly drove the need home for many. Want to colour grade remotely with a client or colorist in Final Cut Pro X? Now you can with the popular Color Finale 2 Pro plugin running with the new Color Finale Connect workflow extension.
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